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Myth & Movie: Perseus as a Feminist Hero in Clash of the Titans

Beware! Spoilers for Clash of the Titans (2010) ahead!

Image property of WarnerBros. Used with the intention of fair use.

I love the Perseus myth. There are so many layers to it. So when Clash of the Titans came out in 2010, I was right there in the theater.

I’m not going to say it was the best movie ever made. It doesn’t even follow the story of the actual myth. There are a lot of changes.

But one thing about myths is that they morph over time according to who is telling them. This is why we find a lot of different versions of the same myths. There’s no single correct version.

So the 2010 movie is our culture retelling the Perseus myth, reflecting our own challenges and values.

I like it because of the way it demonstrates various layers of the archetypes in the myth. I especially like the way that this version of the Perseus story focused on how he’s a feminist hero.

Yes, Perseus is one of the feminist heroes in mythology. (Odysseus is another one.) He’s also about challenging authority, and that came through really strongly in the 2010 movie too. But here I’m going to talk about the feminist angle.

***

How is Perseus a feminist hero?

First, let’s talk about his mission.

The city of Argos is right on the sea, and there’s a princess living there named Andromeda. She’s also generous and humble. She considers herself a servant of her people. She’s altruistic, down-to-earth, and just generally really admirable. She’s also so beautiful that her mother boasts she’s more beautiful than Aphrodite.

Bad move.

Hades appears. He condemns their arrogance and sentences Argos to be destroyed by a terrible sea monster, the Kraken. He does give them a way out, though: they can sacrifice Andromeda to the Kraken and everything will be a-okay.

Except for Andromeda. She’ll be dead.

***

Enter Perseus.

His mission is to save Argos AND Andromeda.

Pretty much the only way to do that is to destroy the Kraken.

And pretty much the only way to do THAT is to slay the gorgon Medusa, whose gaze can turn anything to stone.

***

Okay, great. So what’s this about feminism now?

To understand that, we have to know who Medusa is and what she represents.

In the movie, the character Io explains what happens to Medusa. Io is an immortal woman, cursed with eternal life because she didn’t want to have sex with the god Poseidon.

So here’s Medusa’s story in a nutshell: Medusa was once a beautiful woman, and she caught the attention of Poseidon. She wasn’t interested in him, but she wasn’t as successful as Io in refusing his attention. Poseidon raped her.

Medusa called out to the goddess Athena for help, but Athena was kind of disgusted by the whole thing. Not only did she not protect Medusa, she punished her by turning her into an immortal gorgon—half human, half serpent—and condemning her to live in a cave in the underworld for the rest of her days.

Archetypally, the underworld usually symbolizes the subconscious. It’s where things go when we don’t want to deal with them.

So down goes Medusa, because nobody likes to think about the time Poseidon raped the pretty girl from the village.

Along with her, Medusa takes her rage. She is a product of trauma and rape. She is not friendly to men. Her wrath is terrible. (It’s the same wrath that dark Artemis feels. It is vengeful and hateful toward men.)

It’s SO terrible that even looking Medusa in the face—that is, coming face to face with the horror of what she endured—will turn a man to stone. And only men are allowed to venture into her caverns. That way, she’ll never harm a woman.

So. That’s Medusa and what she symbolizes.

***

Medusa is the face of dark Artemis, of angry feminism betrayed by the masculine and seeking vengeance.

Andromeda, however, represents a different aspect of the feminine. She’s the innocent, virginal feminine. The beautiful, nurturing, altruistic archetype that brings love, peace, and understanding. She acts as a unifying force. She loves men just as she loves all people. Andromeda inspires admiration because she is simply a good woman.

***

There’s another character in this movie, a religious fanatic who insists that they should totally sacrifice Andromeda to save Argos. Why should she get special treatment? Why should her one life be placed above the lives of all the citizens?

It would seem that he has a point.

Except for the fact that he’s insane.

What’s the deal with this character? Why is he even necessary? I think it’s another use of symbol and archetype. On one hand, this crazy dude wants to honor the gods and do whatever they say, so he’s a counter to Perseus who challenges authority.

I think this crazy dude also represents the insane masculine—the self-righteous, violent masculine who would sacrifice beauty, kindness and love. He doesn’t recognize Andromeda (and everything she represents) as intrinsically valuable.

Later, I’ll show how Perseus accepts his feminine side and learns from it. Now, I’ll point out that this crazy dude doesn’t do that. He wants to destroy the innocent feminine.

Image property of WarnerBros. Used under intention of fair use.

So Perseus has to go slay Medusa.

To do this, he has to go to the underworld—to venture into the subconscious and face some dark shit.

Fortunately, the immortal woman Io guides him.

Io herself is an interesting choice on the part of the storytellers. They pretty much made her up. Io exists in Greek mythology, but her story isn’t anything like this character’s. In the 2010 movie, she’s Perseus’s love interest.

In the original myths, Perseus gets together with Andromeda. Even in the 2010 movie, Andromeda would have been a great choice for a love interest. She’s beautiful, good, and provides powerful motivation for Perseus’s journey. So why did the director decide to ignore this very convenient love interest and invent an entirely new character for the purpose?

I think it’s because these storytellers (especially director Louis Leterrier) wanted to include several feminine archetypes in this story.

Io isn’t just Perseus’s guide. She is symbolic of something in this movie. She represents the undying feminine, and she serves as Perseus’s anima—his feminine side. She is his heart and his intuition. On more than one occasion, she tells him exactly what he needs to do, where he needs to go, how far he should to push, and when he should pull back.

The writers could have just had Perseus use his logic to figure this out. Logic is an archetypal masculine trait.

But instead, they chose to have Io give him directions.

She even teaches him how to fight Medusa. Io, being the eternal feminine, has insight into Medusa’s plight and her behavior. She knows how the angry, wounded feminine will lash out against a man—and she wants to protect this man against that anger. So she teaches him how to fight Medusa.

“Don’t look at me,” she says, pretending to be the gorgon. Again, she is guiding him to use his intuition. (Here’s a clip of that full scene. It might be deleted by YouTube, so here’s a shorter version that will probably be around longer.)

Then fight gets a little—ahem—heated, as we might expect between the hero and his feminine guide/side. Perseus is hot with battle and with lust, but now is not the time for him to give in to his animal nature. Again, Io guides him. She places her hand over his heart and tells him, “Ease your storm.” Perseus closes his eyes and masters himself.

It is hugely important for this particular hero to honor the feminine, which is why Perseus listens to her and doesn’t push her sexually. If he were the kind of man who would say, “Aw, come on baby!” then Medusa would be able to kill him. But he’s not. He’s in touch with his own feminine aspect, and that’s the only thing that will allow him to slay Medusa.

***

So Perseus slays Medusa by cutting off her head without looking at her.

And he flies back to Argos on his magical flying horse and shows that severed head to the Kraken, which turns to stone. I’m always arrested by the look on Medusa’s face, especially at this moment. The director could have made her face hideous. He could have made her look angry and monstrous. She does turn scary when she’s paralyzing people, but most of the time she is beautiful, and sometimes her expression is broken, vulnerable, and a little confused. In some moments, it’s like she doesn’t understand why all this had to happen. And she doesn’t turn scary when she paralyzes the Kraken.

Image property of WarnerBros. Used under intention of fair use.

Anyway, Andromeda is ultimately saved from being sacrificed.

I think my favorite thing about this version of the Perseus myth is that the hero has used the rage of the abused feminine to save the innocent feminine from abuse.

It took a hero to do this—to face what had been done to Medusa, and to channel that rage to a place of service instead of hating or fearing it.

So that’s my feminist interpretation of Clash of the Titans. And it’s why I can’t turn off this movie anytime it’s on TV, despite the stupid scorpion fight.

***

L. Marrick is an author, ghostwriter, and suitcase entrepreneur—which is a hipster way of saying she travels and works from her laptop. Her memoir, “Working Girl: 132 Somewhat Moral Values I Learned from a Sex Worker,” tells about when she answered a shady classified ad and wound up working as a sex worker’s personal assistant. Follow her on Twitter @LMarrick.

© Leslie Hedrick 2015. The content of this article, except for quoted or linked source materials, is protected by copyright. Please contact the author at the above links to request usage.


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